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Showing posts from December, 2012

Writer's Rules Revisited #10

I've been doing a lot more thinking and artistic soul-searching this holiday vacation than writing. It's been irksome, but there's a reason behind it. If you read my last post, you'll know the reason for it.  But the year is winding down and a number of things have some things have come into sharp focus. After you lose a friend, loved one, or colleague, you take stock in what people will have of you after you're gone and you realize you have so much more to say. I have so much to say that it's frustrating I can't say it at the speed at which I wish to. With the New Year, I'm going to commit to writing more in 2013 than I ever have in the course of a year. Not just prose, either. Pieces for Huffington Post, StarWars.Com, Big Shiny Robot!, City Weekly, and any other outlet that will have me. I'll write and have published more short stories than ever and I'll be putting out at least a book or two. I have to. Time is short. For far too many

IN MEMORIAM: David Fetzer

Jitterbug from travis on Vimeo . Posted above is a short film starring David Fetzer. The best word to describe him would always be adorable. Or kind. Or caring. Or incredible. David had a way of making everyone feel like he was your best friend, but not in a way that was disingenuous. I'd never call myself David's best or closest friend but he went out of his way to make me know he cared. He might well have been the warmest, most caring person I've ever met in my entire life. I've never met a person with a bad thing to say about him. I met David working on the film Killer at Large, we hired him to do a bunch of different things on the film, as well as act in it. David was a hell of an actor. His work on stage or screen was powerful and soulful and for Killer at Large we shot a number of scenes from Neil LaBute's play Fat Pig, with David in the lead. It was incredible to see such a commanding performance that was almost entirely private, for our eyes only. I&#

Writer's Rules Revisited #9

I've made all of my current deadlines, and story ideas are biting at me like no one's business. Plus I have that novel to finish (I'm sooooo close.) But, since I submitted the last piece I had on a major deadline this morning, I wanted to take a moment to bring you another edition of "Writing Rules Revisited." And I'd like to say the kind words about this series really help. A good friend and excellent writer whose opinion I quite respect told me that she thought this series was invaluable and "an act of generosity to other artists." I hope you all feel that way and letting me know that any of this is helping is certainly appreciated. And if you have any to add to the original list, I'd be more than happy to add them and write more essays about my take on them as well. For those new around these parts, a brief explanation is in order. A long time ago I posted a list of rules and guidelines I've been collecting in my notebook over the ye

Writer's Rules Revisited #8

This month has been crazy with the Redditgifts marketplace monopolizing a lot of my time. Shipping and customs forms are a pain, but it's a pain I'm glad to have. It's great to see my books flying to all corners of the globe at such an alarming rate. But that's a bit of a sidetrack, we're here to talk about writing. For those new around these parts, a brief explanation is in order. A long time ago I posted a list of rules and guidelines I've been collecting in my notebook over the years as a writer. I put together the list on the blog and it was fairly popular. (You can read the whole thing  here)  But there's only so much that comes across in a simple bullet point list. I wanted to expand on it and we've been doing it two or three at a time ever since. If you want to catch up on the series: You can read Part 1 here ,  Part 2 here ,  Part 3 here ,  Part 4 here ,  Part 5 here,   Part 6 here , and Part 7 here . We're only going to go over a c

The Importance of Story Workshops

I just returned from a weekend workshop with a number of fellow writers (including Aaron Allston and Janine Spendlove ). It's something we've been doing for years now and it's something I look forward to every bit as much as I dread in some small way. Every year, we all submit between 7k and 10k words of prose and have the others hit us with both barrels of their notes. It's an all day thing, with at least 5 or 6 people sharing stories and notes around the room. We all come having read all the submissions and we pick one writer  at a time and we all discuss their piece at length. And this discussion is frank. There is no pussy-footing around. Sure, we'll briefly talk about what we liked about certain pieces, but the point of the workshop is to tell your fellows what doesn't work in their fiction. We're all friends and have been doing it for a while, so the need to sugarcoat problems is non-existent and we have frequent disagreements a