An Evening of Chthulhu

This is but a sample of this story. The complete version is available in my print collection Man Against the Future. From there, you can order signed copies, or buy it for the Kindle or the Nook.

My name is Phillip Quillan and I used to be a police officer in my day and, as they say, every dog has one. Before we continue further, a few things should be noted. First, for the fact that you are reading this means that I have passed on for reasons that will most likely forever remain my own. I have requested that this be published posthumously. Secondly, no matter how ludicrous or completely untrue any of this sounds, take heart that it is the absolute truth. Finally, whenever possible, I’ve corroborated the facts and incidents with the diaries and the enumerating parties involved in this eerie situation.

We begin on August 1st, 1949 in the diary of Elizabeth Shumway:

I saw “it” today. I don’t know what “it” was, but it was absolutely horrid. I’m not sure how my sanity was kept after this, this thing, came after me. It stood about two and a half meters tall and had deep red eyes. He was drooling, I think, and that translucent goo covering…dripping from his teeth was all that was visible. But in the dark of the alley it was in, I could hardly even make that out. Dear God, I beg of you, rid the world of this beast or I will die trying to do it myself. Why anyone would create such a horrid thing, I don’t know I have to know why. Even thinking of it makes me nauseous.

This is but a sample of this story. The complete version is available in my print collection Man Against the Future. From there, you can order signed copies, or buy it for the Kindle or the Nook.

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Anatomy of an Opening: The End of the Affair

Instead of breaking down a scene from a movie, this time we'll break down the opening of a book. (Previously, I've done scenes from City Lights, Citizen Kane, Raiders of the Lost Ark, and Butch Cassidy and the Sundance Kid. I've also broken down the opening to Starship Troopers.)

Graham Greene's The End of the Affair is absolutely one of my favorite books. The writing is lyrical and story heart-wrenching and beautiful. Greene's style of writing is such that he always has me gripped, whether it's the beginning of the book or the end. And he shows you so much about the character in his opening lines.

So, here are the first two paragraphs from the book:
A story has no beginning or end: arbitrarily one chooses that moment of experience from which to look back or from which, to look ahead. I say 'one chooses' with the inaccurate pride of a professional writer who - when he has been seriously noted at all - has been praised for his technical ability, but d…

The Symbiotic Relationship Between Art and Politics

Art is inherently political.

Let's just get that out of the way. We all have things we want to say (or things we want to not say) in our personal lives that shape the art we make. And artists, more often than not, are trying to say something with their art, even if their goal is to not say something.

There is no doubt that this has been a turbulent week in the country I live in. There are many of us that are confused and shocked and afraid of what might be to come in the future. That's understandable. As artists and writers, I feel like we're typically more empathetic than the general population. It's easy to think about what it's like to be in someone else's shoes because we spend so much of our creative time almost literally in someone else's shoes. And we need to pass that understanding on to our readers or viewers or however else they're consuming this art.

I've seen this troubling idea, though, that art needs to be purely for escape and that p…

50+ Rules and Tips About Writing I've Collected Over the Years

I have twenty or thirty notebooks and journals filled up with snippets about writing, my plans for stories, bits of dialogue, interesting ideas, plotlines, scraps of short stories, and a dozen other things. I carry one with me at all times and it takes me a couple of months to fill one up.

One of the things I've kept in one of my notebooks was a collection of writing tips and rules that I've collected over the years in my travels. From teachers, from books, from wherever. Most of my career has been spent screenwriting, so a lot of these are most applicable to that, but I wanted to present them so they might be of use to you as well.

I've never stopped collecting these over the years and I never will.

To start the list are Kurt Vonnegut's eight rules of writing. They are the first in my notebook and, I think, the most useful. I'll add a star to those I think are applicable most to screenwriting. Some of these aren't applicable to everyone in every situation, but…

The stories of Bryan Young

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