Skip to main content

The Accidental Date

It was time to leave and I wasn’t sure what to do or say, or how to act. I’d spent all day with her almost by accident. Never before had I run into an acquaintance by happenstance and have it turn so quickly into an impromptu date.

I paid for the drinks and we sat down next to the front window of the coffee shop. The bright, hot sun of the early afternoon shone on the seat opposite her like a magnifying glass zeroing in on a picnic-invading ant. Despite the glare from the light, I got my first real look at her features and was delighted by her. Short, dark hair framed her face around a pair of black glasses that framed her deep, dark eyes. Every so often they would catch a reflection in the window and would glow warm and with a quiet ease. She grinned slyly and off to one side the entire time we spoke. The word to describe her, the one I’m looking for is “enchanting.”


To read the rest of this story, you can purchase it here for the Kindle in the collection "The Accidental Date and Other Stories of Longing, Romance and Woe", or click the button below to order a .PDF of the collection.

The collection contains 11 other stories from me, Bryan Young.






Comments

Al 7ur said…
I like this short story. It's simple and makes you wonder were its heading.
SceneSerene said…
Awww the cliff hanger. i wanted to know more, but I guess it served it's purpose.

Popular posts from this blog

Anatomy of a Scene - City Lights

We're going to break down another scene this week, and it's one of my favorites in cinema history. It comes from the ending of City Lights by Charlie Chaplin, which I think is the greatest romantic comedy ever made. 
It's a touching film from 1931 and I would make it mandatory viewing for anyone who wants to learn to tell a story.
The scene we're going to be breaking down comes from the very end of the film, so if you haven't seen it, I don't want to spoil it for you. Go watch the film. You can rent it for $3.99 in HD on Amazon or for free on Hulu with a free trial or plus subscription. You should just buy the Blu-ray, though. You're going to want to revisit it.
For those of you familiar with the movie, or for those of you who are going to ignore my pleas to watch it and go ahead with this post anyway, I'm going to set this clip up a bit before you watch it.
City Lights tells the story of Chaplin's Tramp and how he falls in love with a blind flower …

Anatomy of a Scene: The Third Man

It's time again to break down a classic scene. One that's well-written and, in my view, a fine example of excellent craft.

I've done some of these articles from books (like The End of the Affairand Starship Troopers) and other movies (like Citizen Kane, City Lights, Raiders of the Lost Ark, and Butch Cassidy and the Sundance Kid), but now it's time to take a look at a scene from The Third Man. It blends the best of Orson Welles (as he's in the film and drives this scene) and Graham Greene, who wrote this particular screenplay.

Before we get to the scene, we need some context.

The Third Man is a tale of the black market in Vienna, just after World War II. It's about a cheap, dime-store Western novelist named Holly Martins (played by Joseph Cotton) and his friend Harry Lime (Orson Welles.) Lime offered Martins a job in Vienna, so Martins leaves America and arrives, only to find that Harry Lime is dead. Penniless, without a friend or reason to be in the country, h…

50+ Rules and Tips About Writing I've Collected Over the Years

I have twenty or thirty notebooks and journals filled up with snippets about writing, my plans for stories, bits of dialogue, interesting ideas, plotlines, scraps of short stories, and a dozen other things. I carry one with me at all times and it takes me a couple of months to fill one up.

One of the things I've kept in one of my notebooks was a collection of writing tips and rules that I've collected over the years in my travels. From teachers, from books, from wherever. Most of my career has been spent screenwriting, so a lot of these are most applicable to that, but I wanted to present them so they might be of use to you as well.

I've never stopped collecting these over the years and I never will.

To start the list are Kurt Vonnegut's eight rules of writing. They are the first in my notebook and, I think, the most useful. I'll add a star to those I think are applicable most to screenwriting. Some of these aren't applicable to everyone in every situation, but…