Skip to main content

A Hero By Any Other Name

Silence in the Library Publishing has put out a brand new anthology and is a collection of superhero stories. It's a fantastic collection and I'm very proud of it. First off, it has stories from Michael Stackpole and Aaron Allston in it. And a story by me.

My story, called "Changing The Game," is about the sidekick half of the Kid Sleuth and the Inspector team.

Each of the stories is illustrated by Mark Dos Santos, and has a cover by Dennis Loubet. Here's a full breakdown of authors and stories:

  • Aaron Allston - Retreads
  • Janine Spendlove - Stupendous Sparkle
  • Maxwell Alexander Drake - The Kid
  • Bryan Young - Changing the Game
  • Maggie Allen - A Marvelous New World 
  • R.T. Kaelin - All-Star
  • Ron Garner - Hero Today, Gone Tomorrow 
  • Jean Rabe - Mortar's Ovation
  • Michael A. Stackpole - Need to Know
It is now on sale through Amazon, but you can buy it here directly, $15 + shipping, at a much better benefit to the authors. 

In fact, this is another instance of Silence in the Library publishing (the first being Time Traveled Tales) where the proceeds are split equally among the others and not funneled through all the overhead of a publishing company. If you buy it from us, more money is going into the pockets of the authors and artists behind this book in an equitable way that would be unheard of for traditional publishing.

You can get it on Amazon, or I can ship it to you directly via the paypal button below:

Shipping options

Comments

Popular posts from this blog

Salt Lake Comic Con 2017 Schedule

It's time for another year of Salt Lake Comic Con and another hectic schedule for me. But! that doesn't mean it's not a helluva lot of fun. I hope you're able to join me at any of these panels. Especially if you like Star Wars. And please, please, please come to my signing and visit. Get some books signed. I'd love that enormously. Here is my Thursday schedule: Everything here is a highlight. That first panel about behind the scenes of the prequels is with Pablo Hidalgo and I'll be asking him questions about what it was like to be there on set for most of the prequels. Then I'll be asking questions of Michael Biehn, who I've been a fan of since I was a little kid. Aliens and Terminator were favorites. If you want to ask him a question, please hit me up on Twitter with it. I will ask it at the panel. And you don't want to miss Fauxthentic History's Infinity Gauntlet live episode. It's going to be soooo good. Here is Friday:

The Missed Opportunities of Days Gone By

“Hello?” I said into the phone, accepting the call from a number I didn’t recognize. “Hey,” the feminine voice on the other replied, as though I should know the sound of her voice. At a loss, I said, “Can I help you?” “It’s Brooke.” Her name stopped me. It couldn’t possibly be her. We hadn’t spoken in years, a decade perhaps. “Brooke?” “Yeah, Brooke Baker. This is Mark, right?” Jesus Christ. It was her. “Yeah, it is Mark. Brooke. Wow. How are you? It’s been a long time since… well… since anything.” “I know.” “So, how are you doing?” “Okay, I suppose…” Her voice belied her words, though. Something was up. “I… It’s just been so long and I guess I wanted to hear your voice.” “I don’t think I had a number for you. Ever. I offered a couple of times, but…” “I was a brat back then.” And that’s how a random phone call turned into a two-and-a-half hour catch-up session. We spoke of everything under the sun: people we still knew, how different we were, h

Anatomy of a Scene: The Third Man

It's time again to break down a classic scene. One that's well-written and, in my view, a fine example of excellent craft. I've done some of these articles from books (like The End of the Affair   and Starship Troopers ) and other movies (like Citizen Kane , City Lights , Raiders of the Lost Ark , and Butch Cassidy and the Sundance Kid ), but now it's time to take a look at a scene from The Third Man . It blends the best of Orson Welles (as he's in the film and drives this scene) and Graham Greene, who wrote this particular screenplay. Before we get to the scene, we need some context. The Third Man is a tale of the black market in Vienna, just after World War II. It's about a cheap, dime-store Western novelist named Holly Martins (played by Joseph Cotton) and his friend Harry Lime (Orson Welles.) Lime offered Martins a job in Vienna, so Martins leaves America and arrives, only to find that Harry Lime is dead. Penniless, without a friend or reason to be