A Hero By Any Other Name

Silence in the Library Publishing has put out a brand new anthology and is a collection of superhero stories. It's a fantastic collection and I'm very proud of it. First off, it has stories from Michael Stackpole and Aaron Allston in it. And a story by me.

My story, called "Changing The Game," is about the sidekick half of the Kid Sleuth and the Inspector team.

Each of the stories is illustrated by Mark Dos Santos, and has a cover by Dennis Loubet. Here's a full breakdown of authors and stories:

Aaron Allston - Retreads
Janine Spendlove - Stupendous Sparkle
Maxwell Alexander Drake - The Kid
Bryan Young - Changing the Game
Maggie Allen - A Marvelous New World
R.T. Kaelin - All-Star
Ron Garner - Hero Today, Gone Tomorrow
Jean Rabe - Mortar's Ovation
Michael A. Stackpole - Need to Know

It is now on sale through Amazon, but you can buy it here directly, $15 + shipping, at a much better benefit to the authors.

In fact, this is another instance of Silence in the Library publishing (the first being Time Traveled Tales) where the proceeds are split equally among the others and not funneled through all the overhead of a publishing company. If you buy it from us, more money is going into the pockets of the authors and artists behind this book in an equitable way that would be unheard of for traditional publishing.

You can get it on Amazon, or I can ship it to you directly via the paypal button below:

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Anatomy of a Scene: The Third Man

It's time again to break down a classic scene. One that's well-written and, in my view, a fine example of excellent craft.

I've done some of these articles from books (like The End of the Affairand Starship Troopers) and other movies (like Citizen Kane, City Lights, Raiders of the Lost Ark, and Butch Cassidy and the Sundance Kid), but now it's time to take a look at a scene from The Third Man. It blends the best of Orson Welles (as he's in the film and drives this scene) and Graham Greene, who wrote this particular screenplay.

Before we get to the scene, we need some context.

The Third Man is a tale of the black market in Vienna, just after World War II. It's about a cheap, dime-store Western novelist named Holly Martins (played by Joseph Cotton) and his friend Harry Lime (Orson Welles.) Lime offered Martins a job in Vienna, so Martins leaves America and arrives, only to find that Harry Lime is dead. Penniless, without a friend or reason to be in the country, h…

Anatomy of a Scene - City Lights

We're going to break down another scene this week, and it's one of my favorites in cinema history. It comes from the ending of City Lights by Charlie Chaplin, which I think is the greatest romantic comedy ever made.
It's a touching film from 1931 and I would make it mandatory viewing for anyone who wants to learn to tell a story.
The scene we're going to be breaking down comes from the very end of the film, so if you haven't seen it, I don't want to spoil it for you. Go watch the film. You can rent it for $3.99 in HD on Amazon or for free on Hulu with a free trial or plus subscription. You should just buy the Blu-ray, though. You're going to want to revisit it.
For those of you familiar with the movie, or for those of you who are going to ignore my pleas to watch it and go ahead with this post anyway, I'm going to set this clip up a bit before you watch it.
City Lights tells the story of Chaplin's Tramp and how he falls in love with a blind flower …

50+ Rules and Tips About Writing I've Collected Over the Years

I have twenty or thirty notebooks and journals filled up with snippets about writing, my plans for stories, bits of dialogue, interesting ideas, plotlines, scraps of short stories, and a dozen other things. I carry one with me at all times and it takes me a couple of months to fill one up.

One of the things I've kept in one of my notebooks was a collection of writing tips and rules that I've collected over the years in my travels. From teachers, from books, from wherever. Most of my career has been spent screenwriting, so a lot of these are most applicable to that, but I wanted to present them so they might be of use to you as well.

I've never stopped collecting these over the years and I never will.

To start the list are Kurt Vonnegut's eight rules of writing. They are the first in my notebook and, I think, the most useful. I'll add a star to those I think are applicable most to screenwriting. Some of these aren't applicable to everyone in every situation, but…

The stories of Bryan Young

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