Skip to main content

An update!

Hello, everyone.

It's been a while. Too long, maybe. But that's just the name of the game. I've been off doing and making things, working my hardest on my craft and creating new things for you to enjoy.

I've got stories coming up in more than a few anthologies, but the one I'm most proud of at the moment is the story I'll have in Apollo's Daughters.

There's a Kickstarter (still going on right now, video below) for a project called Athena's Daughters that Silence in the Library is putting together. It's a collection of sci-fi and fantasy stories, all with female protagonists, and all written by some of the best women writing in sci-fi and fantasy. Well, Apollo's Daughters was a stretch goal at the $24,000 level (which was blown through in 10 days). It's a collection of sci-fi and fantasy stories with all female protagonists written by some of the best men in the genre. I was asked to curate the authors and I'm proud to say I'll have a story next to the likes of guys like Michael Stackpole, Aaron Allston, David Alan Mack, Aaron Rosenberg, Neal Shaffer, and many others whose stories I just adore.


There's still 6 days to go on the project and I hope you jump in and snag a copy of both collections while they're available.

I'm still chugging along, full steam ahead, on the two documentaries I'm in post-production on, and I hope to get them out for you to see as soon as possible. They're both fascinating as can be.

I've also just finished writing a short film version of a feature film I hope to be making at some point. It's based on a short story that can be found in my collection of short stories Man Against the Future.

 There's plenty more brewing as well.

I also have good news to report! The manuscript for A Children's Illustrated History is done and the illustration is complete. So we'll be moving into the design phase shortly and we're on track to deliver on time!

If you're interested in any of the short stories I have coming out, check the "Complete List of Stories" link. There's titles and info on all the shorts that are coming down the pike.

One of them is coming for free in the new Silence in the Library eZine, so sign up for the newsletter over there to find out when. Another is coming free through Big Shiny Robot! so be sure to keep up with things over there as well.

The other thing I've been doing is keeping up my column at City Weekly. You can check out the archive of my pieces there.

On the Star Wars front, my podcast, Full of Sith , is about to hit its first anniversary, and my columns on StarWars.com  are still going strong. I've also had pieces appear in the last 4 issues of Star Wars Insider, the official magazine of Star Wars fandom.

There's plenty more coming, but this is a lot for now. Thanks for all your support of both myself and my writing over the years.

Comments

Post a Comment

Popular posts from this blog

Anatomy of a Scene: The Third Man

It's time again to break down a classic scene. One that's well-written and, in my view, a fine example of excellent craft. I've done some of these articles from books (like The End of the Affair   and Starship Troopers ) and other movies (like Citizen Kane , City Lights , Raiders of the Lost Ark , and Butch Cassidy and the Sundance Kid ), but now it's time to take a look at a scene from The Third Man . It blends the best of Orson Welles (as he's in the film and drives this scene) and Graham Greene, who wrote this particular screenplay. Before we get to the scene, we need some context. The Third Man is a tale of the black market in Vienna, just after World War II. It's about a cheap, dime-store Western novelist named Holly Martins (played by Joseph Cotton) and his friend Harry Lime (Orson Welles.) Lime offered Martins a job in Vienna, so Martins leaves America and arrives, only to find that Harry Lime is dead. Penniless, without a friend or reason to be
Post a Comment
Read more

Anatomy of a Scene - City Lights

We're going to break down another scene this week, and it's one of my favorites in cinema history. It comes from the ending of City Lights by Charlie Chaplin, which I think is the greatest romantic comedy ever made.  It's a touching film from 1931 and I would make it mandatory viewing for anyone who wants to learn to tell a story. The scene we're going to be breaking down comes from the very end of the film, so if you haven't seen it, I don't want to spoil it for you. Go watch the film. You can rent it for $3.99 in HD on Amazon  or for free on Hulu with a free trial or plus subscription. You should just buy the Blu-ray, though. You're going to want to revisit it. For those of you familiar with the movie, or for those of you who are going to ignore my pleas to watch it and go ahead with this post anyway, I'm going to set this clip up a bit before you watch it. City Lights tells the story of Chaplin's Tramp and how he falls in lov
Post a Comment
Read more

The Missed Opportunities of Days Gone By

“Hello?” I said into the phone, accepting the call from a number I didn’t recognize. “Hey,” the feminine voice on the other replied, as though I should know the sound of her voice. At a loss, I said, “Can I help you?” “It’s Brooke.” Her name stopped me. It couldn’t possibly be her. We hadn’t spoken in years, a decade perhaps. “Brooke?” “Yeah, Brooke Baker. This is Mark, right?” Jesus Christ. It was her. “Yeah, it is Mark. Brooke. Wow. How are you? It’s been a long time since… well… since anything.” “I know.” “So, how are you doing?” “Okay, I suppose…” Her voice belied her words, though. Something was up. “I… It’s just been so long and I guess I wanted to hear your voice.” “I don’t think I had a number for you. Ever. I offered a couple of times, but…” “I was a brat back then.” And that’s how a random phone call turned into a two-and-a-half hour catch-up session. We spoke of everything under the sun: people we still knew, how different we were, h
14 comments
Read more