Skip to main content

An Update...

Things are still completely crazy in my neck of the woods. The documentary I'm working on for KUED (called "Normal, UT") is supposed to be done this week. That means that pretty much all of my available time is being sunk into that.

But that doesn't mean there aren't other things going on.

First: A Children's Illustrated History of Presidential Assassination is just about out. Kickstarter backers have received PDF copies of the book, the proofs from the printer are arriving tomorrow, and all of the other backer rewards are completed.

It's going to be great.

At this point, you can pre-order it on the Silence in the Library website, or you can enter to win a copy from Goodreads:



Goodreads Book Giveaway

A Children's Illustrated History of Presidential Assassination by Bryan Young
Enter to win
Then, the next most important thing I've got going on is the new eZine from Silence in the Library publishing. The Stacks #1 came out today.

It's a free, quarterly newsletter with essays, short stories, and art. This first issue has my story "A Peculiar Constitutional" in it, as well as an essay from Aaron Allston, which is one of the last things he sent us.

If you want to download the first issue, do that here. Then, go to the main page of the website and sign up for the newsletter.

The next thing you should know about: There's an Indigogo campaign for an anthology to benefit CJ Henderson and my short story "The Red Ring of Death" is appearing in it. The campaign is just about funded with a month left to go, but you're going to want to snag a copy of the anthology. It has a lot of great stuff in it from a lot of great people.

You can do that here.

And last but not least, I did a piece on Wil Wheaton and TableTop Day. Two pieces, actually. One for Huffington Post/Big Shiny Robot! and another for the official Star Wars website.

I'll be back to update more as soon as I can...

Comments

Popular posts from this blog

The Missed Opportunities of Days Gone By

“Hello?” I said into the phone, accepting the call from a number I didn’t recognize. “Hey,” the feminine voice on the other replied, as though I should know the sound of her voice. At a loss, I said, “Can I help you?” “It’s Brooke.” Her name stopped me. It couldn’t possibly be her. We hadn’t spoken in years, a decade perhaps. “Brooke?” “Yeah, Brooke Baker. This is Mark, right?” Jesus Christ. It was her. “Yeah, it is Mark. Brooke. Wow. How are you? It’s been a long time since… well… since anything.” “I know.” “So, how are you doing?” “Okay, I suppose…” Her voice belied her words, though. Something was up. “I… It’s just been so long and I guess I wanted to hear your voice.” “I don’t think I had a number for you. Ever. I offered a couple of times, but…” “I was a brat back then.” And that’s how a random phone call turned into a two-and-a-half hour catch-up session. We spoke of everything under the sun: people we still knew, how different we were, h

Anatomy of a Scene: The Third Man

It's time again to break down a classic scene. One that's well-written and, in my view, a fine example of excellent craft. I've done some of these articles from books (like The End of the Affair   and Starship Troopers ) and other movies (like Citizen Kane , City Lights , Raiders of the Lost Ark , and Butch Cassidy and the Sundance Kid ), but now it's time to take a look at a scene from The Third Man . It blends the best of Orson Welles (as he's in the film and drives this scene) and Graham Greene, who wrote this particular screenplay. Before we get to the scene, we need some context. The Third Man is a tale of the black market in Vienna, just after World War II. It's about a cheap, dime-store Western novelist named Holly Martins (played by Joseph Cotton) and his friend Harry Lime (Orson Welles.) Lime offered Martins a job in Vienna, so Martins leaves America and arrives, only to find that Harry Lime is dead. Penniless, without a friend or reason to be

Anatomy of a Scene: All the President's Men

All the President's Men is one of those perfect movies. Based on a stunning true story with a brilliant screenplay from William Goldman (we've already gone through one of his scenes here with Butch Cassidy and the Sundance Kid ), it's a movie that brings all of the elements of character, plot, and drama together in a way that makes me really love and admire it.  The scene I want to go through is one that comes during a particularly trying time in the film. For those unaware, this film tells the tale of Woodward and Bernstein, the Washington Post reporters who cracked the Watergate story. And now, looking back on it, it all feels like one big victory, but it was marked by a number of defeats.  This is them reporting to their skeptical editor, Ben Bradlee (played brilliantly by Jason Robards) about where their investigation is at. Immediately preceding Woodward and Bernstein walking in, a salesman is trying to sell Bradlee on features his papers doe