My 2014 Salt Lake Comic-Con FanX Schedule

I have my tentative FanX schedule. Things are subject to be added or subtracted, but this is, for the most part, the schedule I'll be sticking to. For the rest of the time at the convention, I'll be at my booth signing books or haunting the Big Shiny Robot! booth.

As far as I know, "A Children's Illustrated History of Presidential Assassination" will be available at the con.

I'm not on as many writing panels as Star Wars panels this year, but there are still a couple in there. Star Wars fans coming to the convention should be excited, though.

Hit the Salt Lake City Comic-Con website for tickets.

Thursday, April 17, 2014

1:00 pm: Why Who Framed Roger Rabbit is One of the Greatest Noir Films Ever Made
2:00 pm: The History of Robin and Why Batman’s Sidekick is Great (M)
5:00 pm: The Boba Fetts – Daniel Logan and Jeremy Bulloch (M)
6:00 pm: The Corporate Takeover of Geekdom: Is Disney’s Owning Marvel and Lucasfilm a Boon or Bane to our Favorite Franchises?

Friday, April 18, 2014

11:00 am: The Writers of Star Wars (M) (Michael A. Stackpole, Dave Wolverton, Kevin J. Anderson.)
3:00 pm: Star Wars Rebels: A Look at the Upcoming Disney XD Series (M)
4:00 pm: Indiana Jones: A Look at the Character Young & Old (M)
8:00 pm: What We Know and What We Think We Know About Star Wars Episode VII (M)

Saturday, April 19, 2014

10:00 am: Downton Abby: How a Stuffy British Drama Became One of TV’s Most Addictive Shows (M)
1:00 pm: Writing Children’s Books
2:00 pm: Star Trek v. Star Wars: Living in a Post-JJ Abrams World, Part Deux (M)
4:00 pm: Spotlight on Michael A. Stackpole (M)
5:00 pm: Full of Sith Podcast
8:00 pm: Star Wars: The Clone Wars (M)

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Anatomy of a Scene - City Lights

We're going to break down another scene this week, and it's one of my favorites in cinema history. It comes from the ending of City Lights by Charlie Chaplin, which I think is the greatest romantic comedy ever made.
It's a touching film from 1931 and I would make it mandatory viewing for anyone who wants to learn to tell a story.
The scene we're going to be breaking down comes from the very end of the film, so if you haven't seen it, I don't want to spoil it for you. Go watch the film. You can rent it for $3.99 in HD on Amazon or for free on Hulu with a free trial or plus subscription. You should just buy the Blu-ray, though. You're going to want to revisit it.
For those of you familiar with the movie, or for those of you who are going to ignore my pleas to watch it and go ahead with this post anyway, I'm going to set this clip up a bit before you watch it.
City Lights tells the story of Chaplin's Tramp and how he falls in love with a blind flower …

Anatomy of a Scene: The Third Man

It's time again to break down a classic scene. One that's well-written and, in my view, a fine example of excellent craft.

I've done some of these articles from books (like The End of the Affairand Starship Troopers) and other movies (like Citizen Kane, City Lights, Raiders of the Lost Ark, and Butch Cassidy and the Sundance Kid), but now it's time to take a look at a scene from The Third Man. It blends the best of Orson Welles (as he's in the film and drives this scene) and Graham Greene, who wrote this particular screenplay.

Before we get to the scene, we need some context.

The Third Man is a tale of the black market in Vienna, just after World War II. It's about a cheap, dime-store Western novelist named Holly Martins (played by Joseph Cotton) and his friend Harry Lime (Orson Welles.) Lime offered Martins a job in Vienna, so Martins leaves America and arrives, only to find that Harry Lime is dead. Penniless, without a friend or reason to be in the country, h…

50+ Rules and Tips About Writing I've Collected Over the Years

I have twenty or thirty notebooks and journals filled up with snippets about writing, my plans for stories, bits of dialogue, interesting ideas, plotlines, scraps of short stories, and a dozen other things. I carry one with me at all times and it takes me a couple of months to fill one up.

One of the things I've kept in one of my notebooks was a collection of writing tips and rules that I've collected over the years in my travels. From teachers, from books, from wherever. Most of my career has been spent screenwriting, so a lot of these are most applicable to that, but I wanted to present them so they might be of use to you as well.

I've never stopped collecting these over the years and I never will.

To start the list are Kurt Vonnegut's eight rules of writing. They are the first in my notebook and, I think, the most useful. I'll add a star to those I think are applicable most to screenwriting. Some of these aren't applicable to everyone in every situation, but…

The stories of Bryan Young

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