Skip to main content

The Aeronaut and Escape Vector - Signed Pre-Orders

As many of you are aware, my collection of short stories, Escape Vector, and my new novel, The Aeronaut, are both coming next month.

Escape Vector is a dozen stories of science fiction, all of them space opera, and it's a collection I couldn't be more proud of.

The Aeronaut is a literary steampunk tale that I've poured my heart and soul into and tells the tale of Robert Preston. Preston is an American expatriate who joined the French Aeronautic Corps during World War I. Through his adventures on the battlefield and in the hospital, he meets a woman who cures his death wish, but French Intelligence has other plans for him.

I'm incredibly excited for both of these and hope you are, too.

I will be having signing events and readings local to me in Salt Lake City and there will be some more in other places through next year, but many have asked for a way to get signed physical copies directly through me.

This is how to do that. All you need to do is use the Paypal button below and I'll get these mailed out as soon as I have the physical copies which should be on or around November 11, 2015.

I'll personalize them however you want, just be sure to leave a note.

And more than anything, thank you all so much for supporting my career as a writer over all these years. Your kind words, your reviews of the books, and the fact that you keep paying for them, has made this journey both wonderful and possible.

Both books retail for $15, but if you order them together here, it's only $25 plus shipping.

If you're interested in digital copies, please go preorder The Aeronaut from Amazon here. Helping the book climb up the charts prior to release would help me immensely.

ALSO: If you need International Shipping outside the United States, let me know and I can invoice you separately for the cost of shipping.


Books

Comments

Post a Comment

Popular posts from this blog

Anatomy of a Scene - City Lights

We're going to break down another scene this week, and it's one of my favorites in cinema history. It comes from the ending of City Lights by Charlie Chaplin, which I think is the greatest romantic comedy ever made. 
It's a touching film from 1931 and I would make it mandatory viewing for anyone who wants to learn to tell a story.
The scene we're going to be breaking down comes from the very end of the film, so if you haven't seen it, I don't want to spoil it for you. Go watch the film. You can rent it for $3.99 in HD on Amazon or for free on Hulu with a free trial or plus subscription. You should just buy the Blu-ray, though. You're going to want to revisit it.
For those of you familiar with the movie, or for those of you who are going to ignore my pleas to watch it and go ahead with this post anyway, I'm going to set this clip up a bit before you watch it.
City Lights tells the story of Chaplin's Tramp and how he falls in love with a blind flower …
Post a Comment
Read more

Anatomy of a Scene: The Third Man

It's time again to break down a classic scene. One that's well-written and, in my view, a fine example of excellent craft.

I've done some of these articles from books (like The End of the Affairand Starship Troopers) and other movies (like Citizen Kane, City Lights, Raiders of the Lost Ark, and Butch Cassidy and the Sundance Kid), but now it's time to take a look at a scene from The Third Man. It blends the best of Orson Welles (as he's in the film and drives this scene) and Graham Greene, who wrote this particular screenplay.

Before we get to the scene, we need some context.

The Third Man is a tale of the black market in Vienna, just after World War II. It's about a cheap, dime-store Western novelist named Holly Martins (played by Joseph Cotton) and his friend Harry Lime (Orson Welles.) Lime offered Martins a job in Vienna, so Martins leaves America and arrives, only to find that Harry Lime is dead. Penniless, without a friend or reason to be in the country, h…
Post a Comment
Read more

50+ Rules and Tips About Writing I've Collected Over the Years

I have twenty or thirty notebooks and journals filled up with snippets about writing, my plans for stories, bits of dialogue, interesting ideas, plotlines, scraps of short stories, and a dozen other things. I carry one with me at all times and it takes me a couple of months to fill one up.

One of the things I've kept in one of my notebooks was a collection of writing tips and rules that I've collected over the years in my travels. From teachers, from books, from wherever. Most of my career has been spent screenwriting, so a lot of these are most applicable to that, but I wanted to present them so they might be of use to you as well.

I've never stopped collecting these over the years and I never will.

To start the list are Kurt Vonnegut's eight rules of writing. They are the first in my notebook and, I think, the most useful. I'll add a star to those I think are applicable most to screenwriting. Some of these aren't applicable to everyone in every situation, but…
3 comments
Read more