Curse of the Werewolf

I've just released a new, three story collection of werewolf themed shorts on Amazon and Barnes and Noble called "Curse of the Werewolf."

The stories contained inside vary in length, but it runs about 16,000 words total, which Amazon calculates out to about 45 pages of horror content, just in time for Halloween.

The first story in the collection is a brand new tale called "The Black House" about a lovesick teenager trying to unravel the mystery of the Black family, whose decrepit house and unusual daughter have caught his eye.

The second story is called "A Pistol Full of Silver" which first appeared on this website and my "Man Against the Future" collection and features the story of a man hunting something monstrous that has attacked his family.

The third story is another all new, original tale called "Fenrir's Lament." It's set in the desert in the 1950s and reads like I imagine some of that era's more pulpy magazine horror stories would be.

It's the perfect, brisk read for an autumn evening of reading atmospheric horror tales.

As an added bonus, "A Pistol Full of Silver" has been recorded for the audio book version of "Man Against the Future" and is available to stream on youtube below.

As an even bigger added bonus, there have been two other short stories from "Man Against the Future" released on youtube for you to listen to, all perfect for Halloween. The first one is Hatchet, a zombie story, and The Hero and the Horror, a vampire tale. The complete audiobook will be available before the end of fall. And don't forget to pick up "The Curse of the Werewolf" on Amazon and Barnes and Noble.

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Anatomy of a Scene - City Lights

We're going to break down another scene this week, and it's one of my favorites in cinema history. It comes from the ending of City Lights by Charlie Chaplin, which I think is the greatest romantic comedy ever made.
It's a touching film from 1931 and I would make it mandatory viewing for anyone who wants to learn to tell a story.
The scene we're going to be breaking down comes from the very end of the film, so if you haven't seen it, I don't want to spoil it for you. Go watch the film. You can rent it for $3.99 in HD on Amazon or for free on Hulu with a free trial or plus subscription. You should just buy the Blu-ray, though. You're going to want to revisit it.
For those of you familiar with the movie, or for those of you who are going to ignore my pleas to watch it and go ahead with this post anyway, I'm going to set this clip up a bit before you watch it.
City Lights tells the story of Chaplin's Tramp and how he falls in love with a blind flower …

Anatomy of a Scene: The Third Man

It's time again to break down a classic scene. One that's well-written and, in my view, a fine example of excellent craft.

I've done some of these articles from books (like The End of the Affairand Starship Troopers) and other movies (like Citizen Kane, City Lights, Raiders of the Lost Ark, and Butch Cassidy and the Sundance Kid), but now it's time to take a look at a scene from The Third Man. It blends the best of Orson Welles (as he's in the film and drives this scene) and Graham Greene, who wrote this particular screenplay.

Before we get to the scene, we need some context.

The Third Man is a tale of the black market in Vienna, just after World War II. It's about a cheap, dime-store Western novelist named Holly Martins (played by Joseph Cotton) and his friend Harry Lime (Orson Welles.) Lime offered Martins a job in Vienna, so Martins leaves America and arrives, only to find that Harry Lime is dead. Penniless, without a friend or reason to be in the country, h…

Anatomy of a Scene: Butch Cassidy and the Sundance Kid

Butch Cassidy and the Sundance Kid might be one of the most meticulously well-written movies ever made. William Goldman scripts are almost always something special. He's a master of creating something that's interesting, every scene has a kinetic energy to it that keeps you moving. He's a talented prose novelist as well. His novel of The Princess Bride might be even better than the screenplay and the film.

But today I want to talk about a scene in particular for Butch Cassidy and the Sundance Kid:

This scene comes early in the movie and we're still working to understand the relationship between Butch and Sundance, as well as Butch and his gang.

Goldman does something amazing as he's able to mix humor, character building, excitement, suspense, and an advancement of the story into the scene. There are so many building blocks at play here, and because the scene is so entertaining we hardly notice.

And the dialogue is so sharp I can't even stand it.

One of the mos…

The stories of Bryan Young

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