Announcements: A Signing, Movies, and Release Dates

I'll be the first to admit that I'm lucky my brain hasn't exploded with how many different balls I'm juggling with my career, both as a film and video producer and a writer. Those jobs really aren't that different, to be honest. My career is as a storyteller. The fact that I can produce it on video or publish it in a book is just a matter of medium.

But I have some announcements and we'll get to them in order.

This is a reminder for my next signing. I will be at two different stores on February 18th, 2012 in the Salt Lake Valley. I'll be signing with Tracy Hickman, Dave Farland (Wolverton), L.E. Modessit, and Paul Genesse. Facebook events have been made for each store with more details. I hope to see you there as I will have the brand new print copies of God Bless You, Mr. Vonnegut on hand for the first time. Here's the first one. Here's the second one.
There are new items in the store. I've added the documentary films that I've produced, other films will be added there periodically.

On to release dates:

2/15/12 - God Bless You, Mr. Vonnegut (print)
2/15/12 - Lost at the Con (audio book cd with eBook versions)
5/25/12 - Operation: Montauk (print and digital)

There are some more projects that will come out in and around all of those dates, some I can't talk about yet.

I'll keep you updated, though!

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Anatomy of a Scene - City Lights

We're going to break down another scene this week, and it's one of my favorites in cinema history. It comes from the ending of City Lights by Charlie Chaplin, which I think is the greatest romantic comedy ever made.
It's a touching film from 1931 and I would make it mandatory viewing for anyone who wants to learn to tell a story.
The scene we're going to be breaking down comes from the very end of the film, so if you haven't seen it, I don't want to spoil it for you. Go watch the film. You can rent it for $3.99 in HD on Amazon or for free on Hulu with a free trial or plus subscription. You should just buy the Blu-ray, though. You're going to want to revisit it.
For those of you familiar with the movie, or for those of you who are going to ignore my pleas to watch it and go ahead with this post anyway, I'm going to set this clip up a bit before you watch it.
City Lights tells the story of Chaplin's Tramp and how he falls in love with a blind flower …

Anatomy of a Scene: Butch Cassidy and the Sundance Kid

Butch Cassidy and the Sundance Kid might be one of the most meticulously well-written movies ever made. William Goldman scripts are almost always something special. He's a master of creating something that's interesting, every scene has a kinetic energy to it that keeps you moving. He's a talented prose novelist as well. His novel of The Princess Bride might be even better than the screenplay and the film.

But today I want to talk about a scene in particular for Butch Cassidy and the Sundance Kid:

This scene comes early in the movie and we're still working to understand the relationship between Butch and Sundance, as well as Butch and his gang.

Goldman does something amazing as he's able to mix humor, character building, excitement, suspense, and an advancement of the story into the scene. There are so many building blocks at play here, and because the scene is so entertaining we hardly notice.

And the dialogue is so sharp I can't even stand it.

One of the mos…

Anatomy of a Scene: The Third Man

It's time again to break down a classic scene. One that's well-written and, in my view, a fine example of excellent craft.

I've done some of these articles from books (like The End of the Affairand Starship Troopers) and other movies (like Citizen Kane, City Lights, Raiders of the Lost Ark, and Butch Cassidy and the Sundance Kid), but now it's time to take a look at a scene from The Third Man. It blends the best of Orson Welles (as he's in the film and drives this scene) and Graham Greene, who wrote this particular screenplay.

Before we get to the scene, we need some context.

The Third Man is a tale of the black market in Vienna, just after World War II. It's about a cheap, dime-store Western novelist named Holly Martins (played by Joseph Cotton) and his friend Harry Lime (Orson Welles.) Lime offered Martins a job in Vienna, so Martins leaves America and arrives, only to find that Harry Lime is dead. Penniless, without a friend or reason to be in the country, h…

The stories of Bryan Young

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