ShevaCon - Panel Schedule

I'm heading out tonight for SheVaCon, which starts tomorrow in Roanoke, Virginia. I'm excited to meet people, sell and sign some books, and hang out with two of my favorite pals, Janine Spendlove and Aaron Allston.

I wanted to leave my schedule with you in case you could make it. This is a great convention with lots of great seminars to be had.

Feb 8

E-publishing how does it work - Bryan Young, Anne B Walsh, Elaine Corvidae
1:00pm-1:50pm Harrison/Tyler Room

Intro to graphic novel writing - Bryan Young, Elaine Corvidae
3:00pm-3:50pm Bent Mountain Room

Feb 9

How to Kill your Character - Robert West, Betty Cross, Leona Wisoker, Janine Spendlove, Gail Martin, Bryan Young, Aaron Allston, Heather E Hutsell
12:00pm-12:50pm Washington Lecture Hall

Beating Writer’s Block - Paul Dellinger, Leona Wisoker, Janine Spendlove, Betty Cross, Bryan Young, Mark Rainey, Jim Bernheimer, Heather E Hutsell
2:00pm-2:50pm Harrison/Tyler Room

Evolution of Weapons in Sci-Fi - Janine Spendlove, Bryan Young
3:00pm-3:50pm Harrison/Tyler Room

Sci-fi in Romance/Romance in Sci-fi - Janine Spendlove, Gail Martin, Bryan Young, Aaron Allston 7:00pm-7:50pm Harrison/Tyler Room

Feb 10

Writer’s Q & A with Janine Spendlove, Bryan Young, and Aaron Allston
11:00pm-12:50pm Washington Lecture Room

That last one might end up being my favorite. A general writing Q & A with myself, Janine, and Aaron? That's going to be gold, I tell you.

I hope to see many of you there. I'll have copies of all of my books on hand.

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The Missed Opportunities of Days Gone By

“Hello?” I said into the phone, accepting the call from a number I didn’t recognize. “Hey,” the feminine voice on the other replied, as though I should know the sound of her voice. At a loss, I said, “Can I help you?” “It’s Brooke.” Her name stopped me. It couldn’t possibly be her. We hadn’t spoken in years, a decade perhaps. “Brooke?” “Yeah, Brooke Baker. This is Mark, right?” Jesus Christ. It was her. “Yeah, it is Mark. Brooke. Wow. How are you? It’s been a long time since… well… since anything.” “I know.” “So, how are you doing?” “Okay, I suppose…” Her voice belied her words, though. Something was up. “I… It’s just been so long and I guess I wanted to hear your voice.” “I don’t think I had a number for you. Ever. I offered a couple of times, but…” “I was a brat back then.” And that’s how a random phone call turned into a two-and-a-half hour catch-up session. We spoke of everything under the sun: people we still knew, how different we were, h

Anatomy of a Scene: The Third Man

It's time again to break down a classic scene. One that's well-written and, in my view, a fine example of excellent craft. I've done some of these articles from books (like The End of the Affair and Starship Troopers ) and other movies (like Citizen Kane , City Lights , Raiders of the Lost Ark , and Butch Cassidy and the Sundance Kid ), but now it's time to take a look at a scene from The Third Man . It blends the best of Orson Welles (as he's in the film and drives this scene) and Graham Greene, who wrote this particular screenplay. Before we get to the scene, we need some context. The Third Man is a tale of the black market in Vienna, just after World War II. It's about a cheap, dime-store Western novelist named Holly Martins (played by Joseph Cotton) and his friend Harry Lime (Orson Welles.) Lime offered Martins a job in Vienna, so Martins leaves America and arrives, only to find that Harry Lime is dead. Penniless, without a friend or reason to be

Anatomy of a Scene: All the President's Men

All the President's Men is one of those perfect movies. Based on a stunning true story with a brilliant screenplay from William Goldman (we've already gone through one of his scenes here with Butch Cassidy and the Sundance Kid ), it's a movie that brings all of the elements of character, plot, and drama together in a way that makes me really love and admire it. The scene I want to go through is one that comes during a particularly trying time in the film. For those unaware, this film tells the tale of Woodward and Bernstein, the Washington Post reporters who cracked the Watergate story. And now, looking back on it, it all feels like one big victory, but it was marked by a number of defeats. This is them reporting to their skeptical editor, Ben Bradlee (played brilliantly by Jason Robards) about where their investigation is at. Immediately preceding Woodward and Bernstein walking in, a salesman is trying to sell Bradlee on features his papers doe

The stories of Bryan Young

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