ShevaCon - Panel Schedule

I'm heading out tonight for SheVaCon, which starts tomorrow in Roanoke, Virginia. I'm excited to meet people, sell and sign some books, and hang out with two of my favorite pals, Janine Spendlove and Aaron Allston.

I wanted to leave my schedule with you in case you could make it. This is a great convention with lots of great seminars to be had.

Feb 8

E-publishing how does it work - Bryan Young, Anne B Walsh, Elaine Corvidae
1:00pm-1:50pm Harrison/Tyler Room

Intro to graphic novel writing - Bryan Young, Elaine Corvidae
3:00pm-3:50pm Bent Mountain Room

Feb 9

How to Kill your Character - Robert West, Betty Cross, Leona Wisoker, Janine Spendlove, Gail Martin, Bryan Young, Aaron Allston, Heather E Hutsell
12:00pm-12:50pm Washington Lecture Hall

Beating Writer’s Block - Paul Dellinger, Leona Wisoker, Janine Spendlove, Betty Cross, Bryan Young, Mark Rainey, Jim Bernheimer, Heather E Hutsell
2:00pm-2:50pm Harrison/Tyler Room

Evolution of Weapons in Sci-Fi - Janine Spendlove, Bryan Young
3:00pm-3:50pm Harrison/Tyler Room

Sci-fi in Romance/Romance in Sci-fi - Janine Spendlove, Gail Martin, Bryan Young, Aaron Allston 7:00pm-7:50pm Harrison/Tyler Room

Feb 10

Writer’s Q & A with Janine Spendlove, Bryan Young, and Aaron Allston
11:00pm-12:50pm Washington Lecture Room

That last one might end up being my favorite. A general writing Q & A with myself, Janine, and Aaron? That's going to be gold, I tell you.

I hope to see many of you there. I'll have copies of all of my books on hand.

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Anatomy of a Scene - City Lights

We're going to break down another scene this week, and it's one of my favorites in cinema history. It comes from the ending of City Lights by Charlie Chaplin, which I think is the greatest romantic comedy ever made.
It's a touching film from 1931 and I would make it mandatory viewing for anyone who wants to learn to tell a story.
The scene we're going to be breaking down comes from the very end of the film, so if you haven't seen it, I don't want to spoil it for you. Go watch the film. You can rent it for $3.99 in HD on Amazon or for free on Hulu with a free trial or plus subscription. You should just buy the Blu-ray, though. You're going to want to revisit it.
For those of you familiar with the movie, or for those of you who are going to ignore my pleas to watch it and go ahead with this post anyway, I'm going to set this clip up a bit before you watch it.
City Lights tells the story of Chaplin's Tramp and how he falls in love with a blind flower …

Anatomy of a Scene: Butch Cassidy and the Sundance Kid

Butch Cassidy and the Sundance Kid might be one of the most meticulously well-written movies ever made. William Goldman scripts are almost always something special. He's a master of creating something that's interesting, every scene has a kinetic energy to it that keeps you moving. He's a talented prose novelist as well. His novel of The Princess Bride might be even better than the screenplay and the film.

But today I want to talk about a scene in particular for Butch Cassidy and the Sundance Kid:

This scene comes early in the movie and we're still working to understand the relationship between Butch and Sundance, as well as Butch and his gang.

Goldman does something amazing as he's able to mix humor, character building, excitement, suspense, and an advancement of the story into the scene. There are so many building blocks at play here, and because the scene is so entertaining we hardly notice.

And the dialogue is so sharp I can't even stand it.

One of the mos…

Anatomy of a Scene: The Third Man

It's time again to break down a classic scene. One that's well-written and, in my view, a fine example of excellent craft.

I've done some of these articles from books (like The End of the Affairand Starship Troopers) and other movies (like Citizen Kane, City Lights, Raiders of the Lost Ark, and Butch Cassidy and the Sundance Kid), but now it's time to take a look at a scene from The Third Man. It blends the best of Orson Welles (as he's in the film and drives this scene) and Graham Greene, who wrote this particular screenplay.

Before we get to the scene, we need some context.

The Third Man is a tale of the black market in Vienna, just after World War II. It's about a cheap, dime-store Western novelist named Holly Martins (played by Joseph Cotton) and his friend Harry Lime (Orson Welles.) Lime offered Martins a job in Vienna, so Martins leaves America and arrives, only to find that Harry Lime is dead. Penniless, without a friend or reason to be in the country, h…

The stories of Bryan Young

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