Skip to main content

Word Games For Inspiration


I like to read a lot of books about the craft of writing. Probably a full ten percent of the books I read are about the craft of writing. The vast majority of books have some bit of wisdom or inspiration I'm able to take away from them and incorporate into my own writing. I'd been reading Dean Koontz books since I was ten and was looking for more craft books to read and found that he'd written this one.

It's long out of print. It was published originally in 1972, and by then Koontz had already written in excess of 40 novels. In many ways, it's useful because he is such a thorough expert in the craft that he's able to break down all of the genres and their component parts and what audiences expect from them. But I was going to be a little disappointed if this was all the book was, and I was happy to learn that it wasn't. For one, it was also a time capsule of how writing worked back in the day. Think about pursuing a career in novel writing and not having a computer. You had to work on a typewriter. Then imagine finishing your manuscript and needing to revise it and then make a copy of the physical thing to send off to agents. It seems like it was a nightmare, but those writers of the era made it through.

One bit of advice that I was most surprised by is that he tells people not to revise or rewrite. As a professional writer, you should be able to deliver it right the first time.

That's something I'd never considered and I'm trying to be more cognizant of it now that it's been pointed out to me. It's something I find easier with short stories than novels, but I've only written almost 13 novels, not 40. Maybe when I get to that point, I'll be there.

But there was an exercise in it for finding inspiration I found fascinating and want to try it for my next Patreon short story. It was really a word game that forces your imagination to come up with a story based on unexpected titles. The keyword Koontz chose was "Dragons" and came up with a number of permutations of disparate word combinations using it until he hit upon the title "Soft Come the Dragons." This led to a story he wrote because the title just screamed that story to him. He also said this method would yield him about three stories per keyword, more than that and he'd be cannibalizing his own ideas.

I figured I'd try the same thing here in this and come up with the title for the next short story I'll write. I've already written about dragons for my Patreon, and people seem to be enjoying science fiction, so I figured I would pick a word that might be able to have some science fiction connotation behind it. Though maybe the title I come up with might work better as a fantasy story...

So, let's start with... "Robot."

To start, let's come up with words that don't typically describe robots and pair it up there.

The Lonely Robot
Paper Robots
The Underage Robot
The Robot Astronaut
Guardian Robot
Robot Gardener
The Dead Robot
Robot City
Samurai Robot

What about some phrases using the word robot that might not seem typical...

A Boy and His Robot
A Robot and His Boy
Night of the Robots
Twilight of the Robots
The Last Robot
Robot's Reflection
The Robot's Astronaut
The Robot's Golem
The Robot's Doctor
Last Dance of the Robots
Soft Come the Robots
Quietly Came the Robots
The Wizard and the Robot

Or maybe even transforming the word into something else...

Astrorobotica
Robotononmy
Robotica Four (I just like adding numbers to stuff sometimes, okay?)
Roboticists
Robotopia

And as I do this, I realize I've got like three or four stories in here, easy. I really like the Wizard and the Robot, the absurd juxtaposition of it could work with anything. A clown. A Barbarian. A King. A samurai. The Last Robot has a story leaping out at me, too. And so does the title Astrorobotica. It gives me this feeling of a far, distant future where everything is brightly lit.

It works. It works really well. It's definitely a technique I'd never considered before and it will definitely be something that I'll keep in my tool box. I almost never start with a title, namely because I'm so bad at them. I mean, you can see that. But playing this as a word game makes a lot of sense. I'll do this in my notebook (rather than here on the Internet for people to see) and keep some ideas when I feel like my quill of creativity has run dry.

But I would never have stumbled on this idea if I hadn't obsessively been going through books about writing, constantly learning to better my craft.

I would hope you do likewise.

--
As for my own writing: I crossed 100k words on my NaNo novel, and that book is still going strong. I'm really excited for it, but I'm also excited to be finished with it and get something else done, too.

I had a piece come out for StarWars.Com about Holocrons that you can read here.

There's a lot of Rogue One content coming from me quickly, too, for a lot of different outlets. In fact, this weekend I'll be heading to the press junket and next weekend I'll be on my way to the premiere in Hollywood, so... Keep an eye out.

--

As a reminder: Please join my short story Patreon here.  Your contributions to the Patreon help me write more like this.

The Aeronaut and Escape Vector are still out and still need your purchases and reviews. If nothing else, they can use you telling people about them. If you want signed copies, visit the shop here on this page.

As far as my work outside of all this: There's a lot of great stuff on Big Shiny Robot! and Full of Sith for you. 

And please, please, please don't forget to check out any of my books, drop reviews of them on Amazon or Goodreads, and follow me on twitter and Facebook!

Comments

Popular posts from this blog

Anatomy of a Scene - City Lights

We're going to break down another scene this week, and it's one of my favorites in cinema history. It comes from the ending of City Lights by Charlie Chaplin, which I think is the greatest romantic comedy ever made. 
It's a touching film from 1931 and I would make it mandatory viewing for anyone who wants to learn to tell a story.
The scene we're going to be breaking down comes from the very end of the film, so if you haven't seen it, I don't want to spoil it for you. Go watch the film. You can rent it for $3.99 in HD on Amazon or for free on Hulu with a free trial or plus subscription. You should just buy the Blu-ray, though. You're going to want to revisit it.
For those of you familiar with the movie, or for those of you who are going to ignore my pleas to watch it and go ahead with this post anyway, I'm going to set this clip up a bit before you watch it.
City Lights tells the story of Chaplin's Tramp and how he falls in love with a blind flower …

Anatomy of a Scene: The Third Man

It's time again to break down a classic scene. One that's well-written and, in my view, a fine example of excellent craft.

I've done some of these articles from books (like The End of the Affairand Starship Troopers) and other movies (like Citizen Kane, City Lights, Raiders of the Lost Ark, and Butch Cassidy and the Sundance Kid), but now it's time to take a look at a scene from The Third Man. It blends the best of Orson Welles (as he's in the film and drives this scene) and Graham Greene, who wrote this particular screenplay.

Before we get to the scene, we need some context.

The Third Man is a tale of the black market in Vienna, just after World War II. It's about a cheap, dime-store Western novelist named Holly Martins (played by Joseph Cotton) and his friend Harry Lime (Orson Welles.) Lime offered Martins a job in Vienna, so Martins leaves America and arrives, only to find that Harry Lime is dead. Penniless, without a friend or reason to be in the country, h…

Anatomy of a Scene: Butch Cassidy and the Sundance Kid

Butch Cassidy and the Sundance Kid might be one of the most meticulously well-written movies ever made.  William Goldman scripts are almost always something special. He's a master of creating something that's interesting, every scene has a kinetic energy to it that keeps you moving. He's a talented prose novelist as well. His novel of The Princess Bride might be even better than the screenplay and the film.

But today I want to talk about a scene in particular for Butch Cassidy and the Sundance Kid:



This scene comes early in the movie and we're still working to understand the relationship between Butch and Sundance, as well as Butch and his gang.

Goldman does something amazing as he's able to mix humor, character building, excitement, suspense, and an advancement of the story into the scene. There are so many building blocks at play here, and because the scene is so entertaining we hardly notice.

And the dialogue is so sharp I can't even stand it.

One of the mos…