Skip to main content

Christopher Walken, Marcus, and many other things

First off, let me give you Christopher Walken's pitch for you to buy Lost at the Con:

Ok. I lied. That wasn't really Christopher Walken. That was Marcus, the world famous comedian. You might remember him from his time on Last Comic Standing. We were just having a bit of fun with that video.

He really liked my collection of science fiction short stories, Man Against the Future, and when I asked if he'd record the audio book, he leapt at the chance. Literally. Jumped. Leaping. Right through the air.

After he got back to the ground, we started recording. We're about halfway done with that process and we're in the post-production phase for quite a bit of it as well. It's just such good stuff, his reading is far beyond what I'd be able to do, and I wanted to share with you a taste of the audio book.

Here is the complete, unabridged version of "The Hero and the Horror" a vampire story I wrote for the collection.

I really think he knocked it out of the park.

The audio book will be made available by Origins Game Fair, hopefully sooner. I'll get more information as soon as I get it.

In the meantime, work on Operation: Montauk goes on in earnest. We're still chugging away at the deadline and I can't tell you how much I'm enjoying Blain's work on the painting for the cover.

Also! Big announcement:

Free Comic Book Day:

I will be appearing at Dr. Volt's Comic Connection for Free Comic Book Day. It is Saturday, May 5th, at 2043 East 3300 South in Salt Lake City. I'll have a free book to give away that contains a short story from Man Against the Future and a preview of the first chapter of Operation: Montauk. Also buttons. Lost at the Con buttons. I'll be signing and selling books, too, including the audio book CD of Lost at the Con.

Kat Martin will be there as well, hawking her art, which is always a good time. We'll be accompanied by the Mandalorian Mercs. And did I mention all the free comics? I've got more announcements coming soon as well, so be sure to stay tuned!

Comments

Popular posts from this blog

The Missed Opportunities of Days Gone By

“Hello?” I said into the phone, accepting the call from a number I didn’t recognize. “Hey,” the feminine voice on the other replied, as though I should know the sound of her voice. At a loss, I said, “Can I help you?” “It’s Brooke.” Her name stopped me. It couldn’t possibly be her. We hadn’t spoken in years, a decade perhaps. “Brooke?” “Yeah, Brooke Baker. This is Mark, right?” Jesus Christ. It was her. “Yeah, it is Mark. Brooke. Wow. How are you? It’s been a long time since… well… since anything.” “I know.” “So, how are you doing?” “Okay, I suppose…” Her voice belied her words, though. Something was up. “I… It’s just been so long and I guess I wanted to hear your voice.” “I don’t think I had a number for you. Ever. I offered a couple of times, but…” “I was a brat back then.” And that’s how a random phone call turned into a two-and-a-half hour catch-up session. We spoke of everything under the sun: people we still knew, how different we were, h

Anatomy of a Scene: The Third Man

It's time again to break down a classic scene. One that's well-written and, in my view, a fine example of excellent craft. I've done some of these articles from books (like The End of the Affair   and Starship Troopers ) and other movies (like Citizen Kane , City Lights , Raiders of the Lost Ark , and Butch Cassidy and the Sundance Kid ), but now it's time to take a look at a scene from The Third Man . It blends the best of Orson Welles (as he's in the film and drives this scene) and Graham Greene, who wrote this particular screenplay. Before we get to the scene, we need some context. The Third Man is a tale of the black market in Vienna, just after World War II. It's about a cheap, dime-store Western novelist named Holly Martins (played by Joseph Cotton) and his friend Harry Lime (Orson Welles.) Lime offered Martins a job in Vienna, so Martins leaves America and arrives, only to find that Harry Lime is dead. Penniless, without a friend or reason to be

Anatomy of a Scene: All the President's Men

All the President's Men is one of those perfect movies. Based on a stunning true story with a brilliant screenplay from William Goldman (we've already gone through one of his scenes here with Butch Cassidy and the Sundance Kid ), it's a movie that brings all of the elements of character, plot, and drama together in a way that makes me really love and admire it.  The scene I want to go through is one that comes during a particularly trying time in the film. For those unaware, this film tells the tale of Woodward and Bernstein, the Washington Post reporters who cracked the Watergate story. And now, looking back on it, it all feels like one big victory, but it was marked by a number of defeats.  This is them reporting to their skeptical editor, Ben Bradlee (played brilliantly by Jason Robards) about where their investigation is at. Immediately preceding Woodward and Bernstein walking in, a salesman is trying to sell Bradlee on features his papers doe