Skip to main content

Origins 2012 Panel Schedule

I had a fantastic time at CONduit and met a lot of fans, new and old, and sat on some very interesting panels. The publishing panel I was on was particularly enlightening, but it proved to me that no two people get into the world of publishing the same way. As many of you know, I'm doing many more panels at Origins this week, and I wanted to drop my schedule on you. The topics always lead to fascinating discussions and I hope to see plenty of you there.
Thursday:

1:00 PM: Publishing 101 - What’s hot and what’s not in fiction? Panelists look at publishing trends, predict where the market is going, dish out some publishing news and statistics, and offer suggestions on where to send your manuscripts.

Friday:

2:00 PM: The Digital Landscape - Take the do-it-yourself approach and publish your own fiction. The authors on this panel have done just that. They’ll talk about software, formatting, markets, and more.

4:00 PM: Write What You Don't Know - We remember English teachers lecturing: “Write what you know.” Well, we think you ought to write what you don’t know. How else can you write about space travel and alternate history and fire-breathing dragons and vampire detectives? We’ll discuss how a little research and common sense can give you just enough background to really write what you don’t know.

7:00 PM: Reading - Veteran wordsmith Bryan Young returns to Origins and vows to entertain you with one of his recent works. Settle back, put your feet up, and close out the night on a high literary note.

Saturday:

10:00 AM: Slaying Writer's Block - There’s debate whether there is such a beast as writer’s block. We’ll not argue that point here. Rather, we’ll show you what you can do to knock down the barriers that are keeping you from typing away at your keyboard. Writer’s block . . . or whatever you want to label it . . . we’ve faced it and beat it to a bloody pulp.

11:00 AM: Sex and Violence and Pen and Paper - How much sex and violence should you use in your fiction? There’s no secret formula . . . though in the romance genre there are a few requirements. Do you need sex and violence to sell your story? How can you tell if it overrides your plot? Our panelists discuss when to “keep it clean” and when to get down and dirty.

3:00 PM: Self-Publishing and Small Press - There are alternatives to the big New York houses. In fact, some writers are finding wild success by publishing their own manuscripts or taking them to the small press. We’ll look at the options out there and examine the pros and cons. Our panelists have been published by major houses, small press markets, and have listed stories on their own electronically.

Sunday:

1:00 PM: Publishing Potpourri - Maybe you missed a topic because of a Settlers of Catan game. Maybe you didn’t learn quite enough about query letters or available fantasy markets. In any event, we bet there are some questions you didn’t get answered in the other seminars. Bring your questions! We’re ready for them.

And if that's not enough, I'll be in the exhibition hall at my table in "The Library" answering questions and selling books the entire time. I hope to see you there!
Post a Comment

Popular posts from this blog

Anatomy of an Opening: The End of the Affair

Instead of breaking down a scene from a movie, this time we'll break down the opening of a book. (Previously, I've done scenes from City Lights, Citizen Kane, Raiders of the Lost Ark, and Butch Cassidy and the Sundance Kid.  I've also broken down the opening to Starship Troopers.

Graham Greene's The End of the Affair is absolutely one of my favorite books. The writing is lyrical and story heart-wrenching and beautiful. Greene's style of writing is such that he always has me gripped, whether it's the beginning of the book or the end. And he shows you so much about the character in his opening lines.

So, here are the first two paragraphs from the book:
A story has no beginning or end: arbitrarily one chooses that moment of experience from which to look back or from which, to look ahead. I say 'one chooses' with the inaccurate pride of a professional writer who - when he has been seriously noted at all - has been praised for his technical ability, but d…

The Symbiotic Relationship Between Art and Politics

Art is inherently political.

Let's just get that out of the way. We all have things we want to say (or things we want to not say) in our personal lives that shape the art we make. And artists, more often than not, are trying to say something with their art, even if their goal is to not say something.

There is no doubt that this has been a turbulent week in the country I live in. There are many of us that are confused and shocked and afraid of what might be to come in the future. That's understandable. As artists and writers, I feel like we're typically more empathetic than the general population. It's easy to think about what it's like to be in someone else's shoes because we spend so much of our creative time almost literally in someone else's shoes. And we need to pass that understanding on to our readers or viewers or however else they're consuming this art.

I've seen this troubling idea, though, that art needs to be purely for escape and that p…

50+ Rules and Tips About Writing I've Collected Over the Years

I have twenty or thirty notebooks and journals filled up with snippets about writing, my plans for stories, bits of dialogue, interesting ideas, plotlines, scraps of short stories, and a dozen other things. I carry one with me at all times and it takes me a couple of months to fill one up.

One of the things I've kept in one of my notebooks was a collection of writing tips and rules that I've collected over the years in my travels. From teachers, from books, from wherever. Most of my career has been spent screenwriting, so a lot of these are most applicable to that, but I wanted to present them so they might be of use to you as well.

I've never stopped collecting these over the years and I never will.

To start the list are Kurt Vonnegut's eight rules of writing. They are the first in my notebook and, I think, the most useful. I'll add a star to those I think are applicable most to screenwriting. Some of these aren't applicable to everyone in every situation, but…